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High Rock 1

THE 40' DuAl Expando Mobile Production Truck

High Rock 1, the newest Super Stallion Dual Stage Expansion Class mobile production vehicle built by Gerling and Associates, Inc. is our company's solution for bringing your event from the confines of its venue to the world. Regardless of the nature of the event, whether it be sporting, news, corporate, or musical, High Rock 1 can deliver, combining its small on-site footprint with the most advanced and powerful technology to make every project an ease. With technical integration provided by Bennett Systems, High Rock 1 is equipped with a Grass Valley Kayenne Switcher, SONY HDC17000Ls and HDC4300 Super Slo-Motion Production Cameras, EVS XT3 Servers, Calrec Artemis Audio Console and much more.

FLOOR PLAN

Super Stallion Duel Stage Expansion Class Production Vehicle built by Gerling and Associates, Inc.

High Rock 1 is designed for all levels of production. Possessing similar specifications as larger trucks, but with a compact 40-foot frame, High Rock 1 leaves a smaller footprint while sustaining the expected production quality full-sized mobile units deliver. "Set, Shoot, Strike" productions become more feasible for larger events, making High Rock 1 the "go-to" solution across the spectrum of remote production.

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Specifications & Equipment

PRODUCTION

  • Grass Valley Kayenne K‐Frame 4 ME (KAYN-4-35-5MS-KS) Switcher w/ Pro Package

  • 96X48 HD In/Out

  • 35 Button Local AUX Panel

  • 20 32” NEC HD Monitors for Production Monitor wall

  • 4 Sony OLED 17” Monitors for Engineering, Video, and Technical Director

  • 1 Sony OLED 24” Monitor for Production Front Bench

  • 9 Dual Monitors in Production

  • 17 Dell 27” Monitors in Videotape and Production

  • 4 Dell 24” Monitors for Production and Engineering

  • 2 Samsung 32” monitors in Video

  • Utah Scientific 400 Series 2 528 Router 254x456 SD/HD/3G

  • 72x72 Disembed/Re-Embed

  • 12x12 Fiber and 9x9 Madi

  • Virtual Monitor Wall w/ Cobalt Multiviewer System

CAMERAS – SMPTE Fiber & ST Fiber connectivity

  • Wired for 12 CCU’s – SMPTE Configured

  • 8 Sony HDC1700L Multi‐Format HD Camera Systems with 24p/50p/60p Software

  • 7 Sony HDCU2500L Camera Control Unit

  • 1 Sony HDC 4300 4K HDR Camera

  • 1 Sony HDCU4300L Camera Control Unit & 4K/HD Baseband Processor Unit

  • 4 Sony HDLA1505B Large Lens Adapter w/ OLED VF

  • 8 Sony HDCE-100 SMPTE –to- Single Camera Extension Adapter

  • 8 Sony HKCU-100 SMPTE –to- Single CCU Extension Adapter

  • 10 Sony RCP 1500 - Remote Control Panel

  • 2 Canon HD 95x8.6 Zoom Lens

  • 2 Canon HD 80x8.8 Zoom Lens

  • 3 Canon HD 24x7.5 ENG/EFP Telephoto Lens

  • 2 Canon HD 14x4.3 ENG/EFP Wide Angle Zoom Lens

  • 4 Canon Studio Digital Control Kit w/Zoom & Focus Demand for Build-Ups

  • 4 Sachtler 1962 Cine 7+7 HD ENG 2 CF Tripod System

  • 4 Vinten Vector 75 Pan/Tilt Head

  • 4 Vinten HDT-2 Stage Heavy Duty Tripod

  • 2 ABONAIR 425 RF Camera Systems

GRAPHICS

  • Chyron Mosaic Two Channel CG

  • Advantage Bundle, Clip Option, Avid DNxHD

  • Clip Option

RECORD & PLAYBACK

  • 1 EVS XT3 HD/SD Server 12-Channel MAX w/dual LSM Option

  • 1 EVS XT3 6U HD/SD Server 6‐Channel w/LSM Option

  • Upgradable to 12-Channel MAX w/dual LSM Option per client

  • 1 EVS 4‐Channel XS3 4U HD/SD Studio Server for Spotbox

  • 4 LSM Remote Control Unit with LED Remote Control Unit with LCD Screen

  • Multicam LSM (Open Configuration) for XT3

  • Super Motion Option for XT3 Server Record Of 2x, 3x, 4x, 6x, 8x and 10x Supermotion

  • 10GigE Option for XS3 4U Server

  • XNET SDTI 3GBPS Option for Xs3 4U Server

  • EVS Xfile3 High Perf. Station for A/V Content Archive/Restore

  • 2 SONY PDW-1500 XDCAM Recorders

  • 1 Sony HDCAM HDW-1800 Player/Recorder

  • 1 Panasonic DVCPro AJ-HD1700 Player/Recorder

  • 4 Dual Channel Atomos Shogun Studio SSD Player/Recorders

  • Virtual Monitor Wall w/ Cobal Multiviewer System

VIDEO AND AUDIO TERMINAL EQUIPMENT

  • 2 Evertz Sync Pulse Generator Complete with GPS Systems

  • Evertz Automatic Change Over Unit

  • Tektronix WFM7200 in Engineering

  • 2 Tektronix WFM5200 in Video

  • Image Video Tally System Interface

  • 12 Cobalt 2x4 Analog Audio DA

  • 2 Cobalt 2x4 AES DA

  • 2 Cobalt 1x9 MADI DA

  • 2 Cobalt 1x8 Word Clock DA

  • 4 Cobalt Quad HD/SDI DA

  • 18 Cobalt Analog Video 1 X 8 DA’s

  • 32 Cobalt Frame Synchronizers

  • 16 w/ +COLOR Option - Cobalt RGB Color Correction w/ Gain

  • 30 User Frame Synchronizers

  • 2 Transmission Path Synchronizers

  • 2 Cobalt 3G/HD/SD‐SDI Down Converting DA’s

  • 4 Cobalt 20‐Slot Open Gear Frame Rear I/O Module

VIDEO MONITORS AND SUPPORT

  • 10 - 24" HD Field Monitors

  • 10 HDSDI to ST Fiber Transport on Singlemode/Multimode Fiber

AUDIO

  • Calrec Artemis Light Digital Audio Console

  • Bluefin 2 High Density Signal Processing providing:

  • 40 Multi Layer Faders with RTW-SW20001

  • 64 Mic/Line Inputs, 64 Line Outputs

  • 48 AES Inputs, 48 AES Outputs

  • 4 MADI Interfaces

  • 8 OPTO Inputs

  • 16 Relays

  • 1 Hydra2 Field I/O Box – 24 mic/line I/P, 8 line O/P, XLR each

  • Joseph Electronics 32x32 Fiber Booth Kit

  • 2 DBX Compressor/Limiter

  • DBX Compressor/Limiter 4 Channel

  • Daysequerra DS Upmix

  • Daysequerra DS Mono2Stereo

  • Daysequerra M25 Analog Option

  • Daysequerra DS NLC5.1ST

  • 2 Digicart 360 Systems

  • 3 Wohler AMP2-S8MDA-3G

  • 1 Wohler AMP1-16M-3G

  • 3 Wohler VMDA-SUM8

  • 5 Wohler AMP1-MADIe

  • 8 Wohler VMQ-4

  • 1 Coleman MBP4 Quad VU Meter

  • 2 Fostex Studio Monitors

  • 2 Genelec Powered Subwoofers

  • 10 Neumann Powered Studio Monitor 4" Driver

MICROPHONES AND SUPPORT

  • 6 Sennheiser MD-46 Stick Mics

  • 8 Sony ECM 77B LAV Kits

  • 6 Audio-Technica BP-4071 Shotgun Mic

  • 8 Audio-Technica BP-4073 Shotgun Mic

  • 4 Audio-Technica BP-4029 Stereo Shotgun Mic

  • 2 Audio-Technica BP-4025 Stereo Crowd Mic

  • 1 Sennheiser MKE-66 Shotgun Mic

  • 6 Sennheiser HDM26 Announcer Headsets

  • 6 Daltech Commentary Boxes

  • 4 Sound Devices MP-1 MIC PRE

  • 4 Sound Devices MM-1 MIC PRE

  • 2 Fostex Studio Monitors

  • 2 DT12 Male to Male Turn Around

  • 2 DT12 Female to Female Turn Around

COMMUNICATION

  • 1 Telex Adam M Frame Matrix Intercom 96 Matrix Port

  • 4 TIF – Telephone Interface (4Lines)

  • 12 Wet RTS TW PL Channels

  • 12 IFB Channels – Wet / Dry

  • 4 QKT’s

  • 12 RTS KP5032 - 32 Key Programmable Panel

  • 7 RTS KP4016 - 16 Key Programmable Panel

  • 12 RTS IFB-4030 2 Channel IFB Beltpacks

  • 20 RTS BP-325 Dual Listen Intercom Beltpacks

  • 4 RTS SPK-300‐DL Dual Talk/Listen User Speaker Station

  • 10 RTS CES‐1 Complete Talent Earset with 1/4 Inch Plug

  • 22 RTS PH88R5 Single Muff Light Weight Headsets

  • 10 RTS PH44R5 Double Muff Light Weight Headsets

  • 20 Beyer DT-108 Single Muff Headsets

  • 10 Beyer DT-109 Double Muff Headsets

  • 8 Motorola Walkie Talkies (RMM2050) with 2 Base Stations

  • Panasonic KX-TA824 Phone System

CABLES

  • 1 SMPTE Camera Cables 500’

  • 4 SMPTE Camera Cables 425’

  • 7 SMPTE Camera Cables 250’

  • 1 SMPTE Camera Cables 230’

  • 8 SMPTE Camera Cables 100’

  • 3 SMPTE Camera Cables 50’

  • 1 TAC12 Fiber 1000’

  • 2 TAC12 Fiber 500’

  • 2 TAC12 Fiber 250’

  • 5 TAC4 Fiber 250’

  • 1 TAC4 Fiber 226’

  • 4 HD Coax 5-Pair Looms 125’

  • 1 DT-12 Audio Mult 500’

  • 6 DT-12 Audio Mult 250’

  • 2 DT-12 Audio Mult 100’

  • 3 DT-12 Audio Mult 50’

  • 8 sets of DT-12 Fanouts

  • Various Video and XLR cables available

  • 50' foot set and 100' foot set of power cables

  • Additional cables available upon request

DIMENSIONS

  • 40’ Long x 13’.6” High x 8’6” Wide

  • 40’ Long x 13’.6” High x 15’.5” Wide Expanded

  • 40’ Long x 13’.6” High x 24’ Wide Expanded w/stairs

  • Total Weight 51,300 LBS

  • 2017 Peterbilt Model 348

POWER

  • 200amp, 208 volt, 3 phase

  • Power cable sets 50’ & 100’

 

Additional RENTALS

Along with High Rock 1, High Rock Mobile Television provides a variety of additional equipment that can be rented separately or combined with the High Rock 1 rental.

 
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Sony PDW-F800 Camera (2)

"Its newly developed MPEG HD422 codec, the XDCAM HD422 Series provides high-quality video and audio recording capabilities, with an image resolution of 1920 x 1080 and eight-channel 24-bit uncompressed audio."

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Sony NEX-FS700R

"4K Exmor Super 35mm CMOS Sensor. Capture 1920 x 1080/60p AVCHD Video. 4K/2K 12-Bit RAW to AXS-R5 Recorder. Up to 960 fps Super Slow Motion. CineGamma Curves Including S-Log2. ISO 320 to 64,000. Dual XLR, HDMI & 3G/HD-SDI Connectivity. SD/SDHC/SDXC and Memory Stick Duo Slots. FMU Port Supports Optional Memory"

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Sony PMW-300K1

"PMW-300K1 XDCAM camcorder is the first semi-shoulder mount camcorder to combine the benefits of 1/2-inch type Exmor™ Full HD 3CMOS sensor technology with 50Mbps HD recording at MPEG HD422, meeting broadcast standards around the world. The high bit rate ensures excellent capture of fast moving objects, while its chroma subsampling feature is perfect for a wide range of video recording situations."

 
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Sony PXW-X180 Camera

"Offers a 25x HD zoom lens, three 1/3"-type Exmor CMOS sensors for high resolution, low noise and wide dynamic range, and a variable Neutral Density filter which provides more flexibility in density control and a broader range of shooting techniques. By using the wireless function, the camera connection is broadened to other destinations for sharing content by transfering files. In addition, a live streaming feature is available via cellular connection, Wi-Fi, and ethernet."

 

Canon J33ax11B4 IAS SX12 IF 33 Lens

"ZSG-200M Zoom Controller and FPD400 Servo Focus Control"

 

DBX TR1616 16 Ch Digital Snake & Distribution Mod

"The TR1616 is a 16 in/16 out analog to BLU link and BLU link to analog audio converter. By providing a modular yet simple solution, the TR1616 is highly expandable and extremely easy to configure. With 16 precision dbx mic preamps and combo style input jacks, the TR1616 accepts line level or mic level input signals."

 

ABonAir RF Camera Units (2)

"ABonAir’s AB425 wireless broadcast system enables camera teams to transmit broadcast sessions directly from cameras to control centers over the air. The system supports all the resolutions: 1080p, 1080i, 720p, NTSC, PAL at all frame rates 60fps, 59.94, 50, 30, 29.97, 25 and 24."

 

Panasonic AG-HCK10 G POV Cameras (4) w/ AG-HMR10 P monitor

"Sleek, pocket-sized design (2.1" W x 2.2" H x 4.8" D). Allows POV-style image capture from a long distance. Features 1/4" 20 socket for easy mounting. Optical Image Stabilizer (OIS) function ensures shots remain clear while walking or zooming. Dynamic Range Stretch (DRS) feature suppresses blocked shadows and blown highlights. Slow shutter and synchro scan functions. Color control and skin tone detail functions. Cine-like Gamma Curves (seven different gamma modes). HD focus assist functions and slow shutter and synchro scan. It has endless point-of-view applications for use in nature observation, video production, newsgathering, law enforcement, surveillance, sports, healthcare, education and much more. 43mm lens filter size (lens options available). Weigh: approximately .61 pound. Cables are detachable (from recorder and from camera head) for total flexibility."

 

Marshall CV 342-CSN POV Cameras (6) w/Fujinon 1:1.4/2.8012mm

"The camera features a 1/3" CMOS sensor and accepts optional C-mount or CS-mount lenses supporting auto-iris. The camera captures HD video at 1080p 29.97/59.94, 1080i 59.94, and 720p 59.94 fps allowing you to easily integrate the camera into an infrastructure that supports broadcast frame rates. The camera incorporates one HD/3G-SDI output as well as a CVBs (composite) video output."

 

Sachtler Tripods and Fluid Heads (Video 15 SB and FSB8s) (3)

"Carbon fiber tripod systems, perfectly designed for the latest generation of professional digital camcorders in today market. Featuring 12-step counterbalance system, for the perfect counterbalance of the camera even with a light or a heavy lens, and offers 7-steps of vertical and horizontal drag, for smooth camerawork under the toughest of rough conditions." 

 

HD/SD Video Writer (Telestrator) 

"The FVW-500HS is a video writer (telestrator) system that enables freehand drawing and positioning of objects and image files over video. The FVW-500HS is ideal not only for replay commentary in sports broadcasts, weather forecasts, and news programs, but also provides the ultimate in freehand tools for creating educational materials and usage in various medical venues."

 

TalkShow VS1000 from NewTek

"With the most comprehensive set of integrated production capabilities available in any Skype TX single-caller video calling system, TalkShow VS 100 gives you total control of your video interviews before, during, and after the show." 

 

Digital Hybrid Wireless Handheld Microphones (3)

"The Digital Hybrid Wireless handheld represents an elegant solution for a variety of wireless microphone applications including live performance, broadcast, AV rental and houses of worship. Incorporates many advanced features to provide high quality speech and vocal reinforcement."

 

Synthesized UHF Belt-Pack IFB Receivers (3)

"Wireless IFB (interruptible fold back) systems are used for talent cueing and crew communications in broadcast and motion picture production. In other cases, the IFB system is used by directors and other management to monitor program audio during a production. The IFB R1a receiver provides simplicity and flexibility in a package that is intuitive for untrained users to operate."

 

SilverBULLET Fiber Transmitters and Receivers (10)

"An economical solution designed for transmission of SD, HD and 3G–SDI signals on single mode fiber. Perfect for today’s professional and broadcast applications."

Fiber Booth Kit (Designed by High Rock Mobile Television, Engineered by Josephs Electronics)

12 RU Traveling Cases (Truck and Field Ends) with wheels:

  • 4 PATHS 3G/HD-SDI/SDI/ASI VIDEO TRUCK TO FIELD
  • 4 PATHS 3G/HD-SDI/SDI/ASI VIDEO FIELD TO TRUCK
  • 16 PATHS MIC/LINE ( PHT +48 ) THRU MIDAS XL498 PREAMP AUDIO LINES FIELD TO TRUCK
  • 8 PATHS LINE LEVEL AUDIO FIELD TO TRUCK
  • 8 PATHS LINE LEVEL TRUCK TO FIELD
  • 8 CHANNELS IFB TRUCK TO FIELD SIDE PWR THRU STI MODEL 42A
  • 4 CHANNELS RTS (2CH) CLEARCOM 1CH) INTERCOM FILED SIDE PWR THRU STI MODEL 47A
  • 1 RTS SAP 612 SOURCE ASSIGN PANEL FOR 6 CHANNELS RTS FIELD SIDE
  • MIDAS XL48 PRE AMP
  • 1 NETWORK 1G/100/10 WITH DUAL PORTS BETWEEN TRUCK AND FIELD
  • 1 PATH DATA SELECTABLE RS-232/RS-422/RS-485 BETWEEN TRUCK AND FIELD
  • FIBER INTERCONNECT THRU 3 SINGLE MODE ST FIBERS

Staff

 
 
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Jim Carr

President

With over thirty years of experience in television production, five Emmy awards, and thirteen Olympic Games with NBC & CBS under his belt, Jim is an invaluable asset to the High Rock Mobile Team. When building High Rock 1, Jim incorporated his vast experience and technical knowledge into the design of the truck, having a unique understanding of the demands and challenges arising in any television broadcast, large or small.

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David Crosson

Engineer-in-Charge

Dave joined High Rock Mobile Television in August of 2017 and brings over a decade of experience in broadcast engineering, working in maintenance, design & integration, as well as management. In addition to serving as High Rock 1’s Engineer-in-Chief, Dave also assisted in design and integration of the technical facilities. When not traveling with High Rock 1 or visiting High Rock Mobile’s Wilton, NY facility, Dave resides in Philadelphia, Pennsylvania.

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David Bara

Coordinator and E2

David joined High Rock Mobile Television in June 2018 after being previously employed with ESPN for 29 years. During his long tenure at ESPN, he has contributed extensively to the network’s growth and development in the vast arena of sports entertainment. With a variety of experience in system engineering and maintenance support, project and technical resource management, global logistics, inventory and asset management, remote engineering production, mobile unit operation and satellite transmission, he brings a wealth of knowledge and expertise to the High Rock Mobile team. During his time at ESPN, he received four Sports Emmy Awards for his technical work. When not in the High Rock Mobile offices, the Amsterdam, New York native enjoys riding his motorcycle around the Adirondacks.

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Melissa Ives

Finance, Human Resource & Safety Coordinator 

Melissa has over nineteen years experience working in the broadcast sports and entertainment industry. She serves as our Financial Controller, Safety Officer and handles all Human Resource matters. With a passion for volunteering and helping others, she is constantly organizing company-wide activities to help support our local community. Melissa lives in Glens Falls, New York with her husband Bob and their son’s, Cooper & Brady. While she may wear many hats during working hours, her favorite job title is that of Mom. She spends most of her free time on the road, in the minivan she swore she would never own (and love), driving her very active boys to their many games and practices.

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Don Krone

Coordinator

Production and operations management are the specialties for Don, whose experience ranges across Olympic and World Championship events in a number of winter sports. Prior to joining Carr-Hughes and High Rock Mobile family in 2012, Don produced the global television programs of the FIBT (International Bobsleigh & Skeleton Federation) for 13 years and has been a TV and special event technical manager at events such as the ESPN Great Outdoor Games, the Gravity Games, and the X-Games.

 
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MAIN Office

393 Church Street
Saratoga Springs, NY, 12866

Phone: (518)-584-9181

Fax: (518)-584-0044

 
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