High Rock 1

THE 40' DuAl Expando Mobile Production Truck

High Rock 1, the newest Super Stallion Dual Stage Expansion Class mobile production vehicle built by Gerling and Associates, Inc. is our company's solution for bringing your event from the confines of its venue to the world. Regardless of the nature of the event, whether it be sporting, news, corporate, or musical, High Rock 1 can deliver, combining its small on-site footprint with the most advanced and powerful technology to make every project an ease. With technical integration provided by Bennett Systems, High Rock 1 is equipped with a Grass Valley Kayenne Switcher, SONY HDC17000Ls and HDC4300 Super Slo-Motion Production Cameras, EVS XT3 ServersCalrec Artemis Audio Console and much more.


Super Stallion Duel Stage Expansion Class Production Vehicle built by Gerling and Associates, Inc.

High Rock 1 is designed for all levels of production. Possessing similar specifications as larger trucks, but with a compact 40-foot frame, High Rock 1 leaves a smaller footprint while sustaining the expected production quality full-sized mobile units deliver. "Set, Shoot, Strike" productions become more feasible for larger events, making High Rock 1 the "go-to" solution across the spectrum of remote production.

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Specifications & Equipment


  • Grass Valley Kayenne K‐Frame 4 ME (KAYN-4-35-5MS-KS) Switcher w/ Pro Package
  • 96X48 HD In/Out
  • 35 Button Local AUX Panel
  • 20 32” NEC HD Monitors for Production Monitor wall
  • 4 Sony OLED 17” Monitors for Engineering and Video
  • 1 Sony OLED 24” Monitor for Production Front Bench 
  • 9 Dual Monitors in Production
  • 17 Dell 27” Monitors in Videotape and Production
  • 4 Dell 24” Monitors for Production and Engineering
  • 2 Samsung 32” monitors in Video
  • Utah Scientific 400 Series 2 528 Router 254x456 SD/HD/3G
  • 72x72 Disembed/Re-Embed
  • 12x12 Fiber and 9x9 Madi
  • Virtual Monitor Wall w/ Cobalt Multiviewer System

CAMERAS – SMPTE Fiber & ST Fiber connectivity

  • Wired for 12 CCU’s – SMPTE Configured
  • 8 Sony HDC1700L Multi‐Format HD Camera Systems with 24p/50p/60p Software
  • 7 Sony HDCU2500L Camera Control Unit
  • 1 Sony HDC 4300 4K UHD Upgradable CMOS Camera SSMO
  • 1 Sony HDCU4300L Camera Control Unit & 4K/HD Baseband Processor Unit
  • 5 Sony HDLA1505B Large Lens Adapter w/ OLED VF
  • 8 Sony HDCE-100 SMPTE –to- Single Camera Extension Adapter
  • 8 Sony HKCU-100 SMPTE –to- Single CCU Extension Adapter
  • 10 Sony RCP 1500 - Remote Control Panel
  • 2 Canon HD 95x8.6 Zoom Lens
  • 2 Canon HD 80x8.8 Zoom Lens
  • 3 Canon HD 24x7.5 ENG/EFP Telephoto Lens
  • 2 Canon HD 14x4.3 ENG/EFP Wide Angle Zoom Lens
  • 4 Canon Studio Digital Control Kit w/Zoom & Focus Demand for Build-Ups
  • 4 Sachtler 1962 Cine 7+7 HD ENG 2 CF Tripod System
  • 4 Vinten Vector 75 Pan/Tilt Head
  • 4 Vinten HDT-2 Stage Heavy Duty Tripod
  • 2 ABONAIR 425 RF Camera Systems


  • Chyron Mosaic Two Channel CG
  • Advantage Bundle, Clip Option, Avid DNxHD
  • Clip Option


  • 1 EVS XT3 HD/SD Server 12-Channel MAX w/dual LSM Option
  • 1 EVS XT3 6U HD/SD Server 6‐Channel w/LSM Option
  • Upgradable to 12-Channel MAX w/dual LSM Option per client
  • 1 EVS 4‐Channel XS3 4U HD/SD Studio Server for Spotbox
  • 4 LSM Remote Control Unit with LED Remote Control Unit with LCD Screen
  • Multicam LSM (Open Configuration) for XT3
  • Super Motion Option for XT3 Server Record Of 2x, 3x, 4x, 6x, 8x and 10x Supermotion
  • 10GigE Option for XS3 4U Server
  • XNET SDTI 3GBPS Option for Xs3 4U Server
  • EVS Xfile3 High Perf. Station for A/V Content Archive/Restore
  • 2 SONY PDW-1500 XDCAM Recorders
  • 1 Sony HDCAM HDW-1800 Player/Recorder
  • 1 Panasonic DVCPro AJ-HD1700 Player/Recorder
  • 8 Atomos Shogun Studio SSD Player/Recorders
  • Virtual Monitor Wall w/ Cobal Multiviewer System


  • 2 Evertz Sync Pulse Generator Complete with GPS Systems
  • Evertz Automatic Change Over Unit
  • Tektronix WFM7200 in Engineering
  • 2 Tektronix WFM5200 in Video
  • Image Video Tally System Interface
  • 12 Cobalt 2x4 Analog Audio DA
  • 2 Cobalt 2x4 AES DA
  • 2 Cobalt 1x9 MADI DA
  • 2 Cobalt 1x8 Word Clock DA
  • 4 Cobalt Quad HD/SDI DA
  • 18 Cobalt Analog Video 1 X 8 DA’s
  • 32 Cobalt Frame Synchronizers
  • 16 w/ +COLOR Option - Cobalt RGB Color Correction w/ Gain
  • 30 User Frame Synchronizers
  • 2 Transmission Path Synchronizers
  • 2 Cobalt 3G/HD/SD‐SDI Down Converting DA’s
  • 4 Cobalt 20‐Slot Open Gear Frame Rear I/O Module


  • 8 24" HD Field Monitors
  • 12 HDSDI to ST Fiber Rattlers


  • Calrec Artemis Light Digital Audio Console
  • Bluefin 2 High Density Signal Processing providing:
  • 40 Multi Layer Faders with RTW-SW20001
  • 64 Mic/Line Inputs, 64 Line Outputs
  • 48 AES Inputs, 48 AES Outputs
  • 4 MADI Interfaces
  • 8 OPTO Inputs
  • 16 Relays
  • 1 Hydra2 Field I/O Box – 24 mic/line I/P, 8 line O/P, XLR each
  • 2 DBX Compressor/Limiter
  • DBX Compressor/Limiter 4 Channel
  • Daysequerra DS Upmix
  • Daysequerra DS Mono2Stereo
  • Daysequerra M25 Analog Option
  • Daysequerra DS NLC5.1ST
  • 2 Digicart 360 Systems
  • 3 Wohler AMP2-S8MDA-3G
  • 1 Wohler AMP1-16M-3G
  • 3 Wohler VMDA-SUM8
  • 5 Wohler AMP1-MADIe
  • 8 Wohler VMQ-4
  • 1 Coleman MBP4 Quad VU Meter
  • 2 Fostex Studio Monitors
  • 2 Genelec Powered Subwoofers
  • 10 Neumann Powered Studio Monitor 4" Driver


  • 6 Sennheiser MD-46 Stick Mics
  • 8 Sony ECM 77B LAV Kits
  • 6 Audio-Technica BP-4071 Shotgun Mic
  • 6 Audio-Technica BP-4073 Shotgun Mic
  • 4 Audio-Technica BP-4029 Stereo Shotgun Mic
  • 2 Audio-Technica BP-4025 Stereo Crowd Mic
  • 6 Sennheiser HDM26 Announcer Headsets
  • 6 Daltech Commentary Boxes
  • 4 Sound Devices MP-1 MIC PRE
  • 4 Sound Devices MM-1 MIC PRE
  • 2 Fostex Studio Monitors
  • 2 DT12 Male to Male Turn Around
  • 2 DT12 Female to Female Turn Around


  • 1 Telex Adam M Frame Matrix Intercom 96 Matrix Port
  • 4 TIF – Telephone Interface (4Lines)
  • 12 Wet RTS TW PL Channels
  • 12 IFB Channels – Wet / Dry
  • 4 QKT’s
  • 12 RTS KP5032 - 32 Key Programmable Panel
  • 7 RTS KP4016 - 16 Key Programmable Panel
  • 12 RTS IFB-4030 2 Channel IFB Beltpacks
  • 20 RTS BP-325 Dual Listen Intercom Beltpacks
  • 4 RTS SPK-300‐DL Dual Talk/Listen User Speaker Station
  • 10 RTS CES‐1 Complete Talent Earset with 1/4 Inch Plug
  • 20 RTS PH88R5 Single Muff Light Weight Headsets
  • 10 RTS PH44R5 Double Muff Light Weight Headsets
  • 20 Beyer DT-108 Single Muff Headsets
  • 10 Beyer DT-109 Double Muff Headsets
  • 8 Motorola Walkie Talkies (RMM2050) with 2 Base Stations
  • Panasonic KX-TA824 Phone System


  • 2 SMPTE Camera Cables 500’
  • 4 SMPTE Camera Cables 250’
  • 8 SMPTE Camera Cables 100’
  • 1 TAC12 Fiber 1000’
  • 2 TAC12 Fiber 500’
  • 2 TAC12 Fiber 250’
  • 4 TAC4 Fiber 250’
  • 1 TAC4 Fiber 125’
  • 4 HD Coax 5-Pair Looms 125’
  • 1 DT-12 Audio Mult 500’
  • 6 DT-12 Audio Mult 250’
  • 2 DT-12 Audio Mult 100’
  • 6 sets of DT-12 Fanouts
  • Various Video and XLR cables available
  • Additional cables available upon request


  • 40’ Long x 13’.6” High x 8’6” Wide
  • 40’ Long x 13’.6” High x 15’.5” Wide Expanded
  • 40’ Long x 13’.6” High x 24’ Wide Expanded w/stairs
  • Total Weight 51,300 LBS
  • 2017 Peterbilt Model 348


  • 200amp, 208 volt, 3 phase

Additional RENTALS

Along with High Rock 1, High Rock Mobile Television provides a variety of additional equipment that can be rented separately or combined with the High Rock 1 rental.


Sony PDW-F800 Camera (2)

"Its newly developed MPEG HD422 codec, the XDCAM HD422 Series provides high-quality video and audio recording capabilities, with an image resolution of 1920 x 1080 and eight-channel 24-bit uncompressed audio."


Sony NEX-FS700R

"4K Exmor Super 35mm CMOS Sensor. Capture 1920 x 1080/60p AVCHD Video. 4K/2K 12-Bit RAW to AXS-R5 Recorder. Up to 960 fps Super Slow Motion. CineGamma Curves Including S-Log2. ISO 320 to 64,000. Dual XLR, HDMI & 3G/HD-SDI Connectivity. SD/SDHC/SDXC and Memory Stick Duo Slots. FMU Port Supports Optional Memory"


Sony PMW-300K1

"PMW-300K1 XDCAM camcorder is the first semi-shoulder mount camcorder to combine the benefits of 1/2-inch type Exmor™ Full HD 3CMOS sensor technology with 50Mbps HD recording at MPEG HD422, meeting broadcast standards around the world. The high bit rate ensures excellent capture of fast moving objects, while its chroma subsampling feature is perfect for a wide range of video recording situations."


Sony PXW-X180 Camera

"Offers a 25x HD zoom lens, three 1/3"-type Exmor CMOS sensors for high resolution, low noise and wide dynamic range, and a variable Neutral Density filter which provides more flexibility in density control and a broader range of shooting techniques. By using the wireless function, the camera connection is broadened to other destinations for sharing content by transfering files. In addition, a live streaming feature is available via cellular connection, Wi-Fi, and ethernet."


Canon J33ax11B4 IAS SX12 IF 33 Lens

"ZSG-200M Zoom Controller and FPD400 Servo Focus Control"


DBX TR1616 16 Ch Digital Snake & Distribution Mod

"The TR1616 is a 16 in/16 out analog to BLU link and BLU link to analog audio converter. By providing a modular yet simple solution, the TR1616 is highly expandable and extremely easy to configure. With 16 precision dbx mic preamps and combo style input jacks, the TR1616 accepts line level or mic level input signals."


ABonAir RF Camera Units (2)

"ABonAir’s AB425 wireless broadcast system enables camera teams to transmit broadcast sessions directly from cameras to control centers over the air. The system supports all the resolutions: 1080p, 1080i, 720p, NTSC, PAL at all frame rates 60fps, 59.94, 50, 30, 29.97, 25 and 24."


Panasonic AG-HCK10 G POV Cameras (4) w/ AG-HMR10 P monitor

"Sleek, pocket-sized design (2.1" W x 2.2" H x 4.8" D). Allows POV-style image capture from a long distance. Features 1/4" 20 socket for easy mounting. Optical Image Stabilizer (OIS) function ensures shots remain clear while walking or zooming. Dynamic Range Stretch (DRS) feature suppresses blocked shadows and blown highlights. Slow shutter and synchro scan functions. Color control and skin tone detail functions. Cine-like Gamma Curves (seven different gamma modes). HD focus assist functions and slow shutter and synchro scan. It has endless point-of-view applications for use in nature observation, video production, newsgathering, law enforcement, surveillance, sports, healthcare, education and much more. 43mm lens filter size (lens options available). Weigh: approximately .61 pound. Cables are detachable (from recorder and from camera head) for total flexibility."


Marshall CV 342-CSN POV Cameras (6) w/Fujinon 1:1.4/2.8012mm

"The camera features a 1/3" CMOS sensor and accepts optional C-mount or CS-mount lenses supporting auto-iris. The camera captures HD video at 1080p 29.97/59.94, 1080i 59.94, and 720p 59.94 fps allowing you to easily integrate the camera into an infrastructure that supports broadcast frame rates. The camera incorporates one HD/3G-SDI output as well as a CVBs (composite) video output."